Bespoke Atelier · Brooklyn, NY · Est. 2016

Cut to your true body,
built to outlive the trend.

True Body Age is a bespoke men's tailoring house on North 7th Street, Brooklyn. Every garment is hand-cut to your individual measurements by master tailor Edoardo Marchetti — Naples-trained, Savile Row-finished. We make suits, shirts, tuxedos, blazers, overcoats and trousers the old way: by hand, by appointment, one gentleman at a time.

Reserve a Fitting
Master tailor at work, hand-stitching a navy suit jacket lapel
"A suit you commission is a slow document of who you are. Off-the-rack is a guess; bespoke is an answer."

— Edoardo Marchetti, Founding Tailor
10yrs
In Brooklyn
22
Hand-tailoring measurements taken per commission
4fittings
From muslin to delivery
680+
Commissions completed
Charcoal three-piece suit photographed flat with measuring tape and tailor's chalk
The Atelier

Why we are called True Body Age

The name is a play on words — and we want it visible from the doorstep.

True body means clothes cut to your real, measured body — not the generic 38R / 40L / 42 that off-the-rack pretends will fit any shoulder slope, any seat, any rise. The chest tape never lies; the catalog does.

Age honors the time-honored craft of hand tailoring — needle, basting thread, horsehair canvas, hot iron — passed down through generations of Neapolitan and Savile Row makers. It is the age of the trade itself, not the age of the man wearing the suit.

We are clothiers. Every garment is cut to your real measurements, hand-stitched in our Brooklyn atelier from fabrics sourced at fourteen European mills.

The atelier was founded in 2016 by Edoardo Marchetti after a decade between Naples — where he apprenticed under a third-generation suitmaker on Via Toledo — and London, where he held the cutter's bench at a Savile Row house specializing in soft-shouldered country tailoring. He moved to Brooklyn to open True Body Age because he believed the borough deserved a bespoke address that did not require a flight to Mayfair or a connection on Madison Avenue.

We work by appointment only. We keep one cutter at the bench, two coatmakers in the back, and a single shirtmaker on the second floor. We do not advertise speed. A first commission takes ten to fourteen weeks from your initial fitting to delivery, and we walk it slowly on purpose — because every step of that timeline corrects an error you would otherwise wear forever.

Edoardo Marchetti, founding tailor, marking a pattern at the cutting bench
Edoardo Marchetti
Founder · Master Cutter
The Commissions

Garments cut by hand, by appointment

Each commission begins with measurements, a cloth selection from the library, and a paper pattern drafted only for you. Quoted starting prices reflect the base offering in house cloth; finer mills (Loro Piana, Holland & Sherry, Dormeuil) carry their own surcharge.

Two-piece bespoke navy suit on a tailor's mannequin
Foundational Commission

Bespoke Two-Piece Suits

A drafted-from-scratch jacket and trouser, full canvas construction, hand-padded lapel, hand-set sleeve, and four working buttonholes worked by needle. Choose from English, Neapolitan, or our quiet Brooklyn-house silhouette.

$3,400starting
Reserve ›
White and blue dress shirts hanging in a tailor's window
Wardrobe Staple

Made-to-Measure Dress Shirts

Drafted to your individual collar, neck, shoulder slope and cuff. Single-needle side seams, mother-of-pearl buttons, removable collar stays in brass. Cottons and linens from Thomas Mason, Albini, and Carlo Riva.

$240per shirt
Reserve ›
Black peak-lapel tuxedo with silk facings displayed on a tailor's form
Black Tie

Bespoke Tuxedos

Peak or shawl lapel, satin or grosgrain facing, covered button, jetted pocket, hand-stitched silk braid down the trouser leg. Built for weddings, diplomatic dinners, gala benefits, and the rare evening that earns it.

$4,200starting
Reserve ›
Camel overcoat folded over a wooden hanger in a tailor's atelier
Outerwear & Odd Jackets

Blazers & Overcoats

Single-breasted blazers in hopsack, cashmere, or fresco. Overcoats in covert, polo, ulster, or guards-officer pattern. Cut with the same shoulder language as our suits, in cloths weighted for the New York winter.

$2,200starting
Reserve ›
Grey wool trousers with side-tab adjusters folded on a wooden bench
Trousers

Custom Trousers

Side-tab adjusters or belt loops, single or double reverse pleat, cuffed or plain hem. Cut to your seat and rise — the single most under-tailored garment in the off-the-rack catalog. Standalone or paired with an existing jacket.

$890per pair
Reserve ›
Spools of tailoring thread, scissors and chalk on a wooden surface
Restoration

Alterations & Repairs

Sleeve shortening, taper, seat let-out, lapel re-padding, full re-line, button replacement, moth-hole reweave, trouser cuff re-set. We accept garments built by other houses; we do not accept fused construction.

$95starting
Reserve ›
The Process

Four steps, fourteen weeks, one finished garment

Bespoke is a sequence, not a transaction. Each fitting catches an error the prior fitting could not see. We do not rush it, because cloth does not forgive impatience.

I.
Consultation

A 90-minute appointment in the atelier. We discuss the occasion, walk the cloth library, sketch silhouette options, and take twenty-two measurements by hand.

II.
Pattern & Muslin

A paper pattern is drafted only for you and stored on file. We cut a calico-cotton muslin (a "baste") and call you back for the first fitting.

III.
Forward Fitting

The garment is cut in your selected cloth and assembled in the rough. Sleeve pitch, balance, seat, and back length are corrected on your shoulders.

IV.
Final Delivery

Buttonholes worked, lining set, hems finished, garment pressed. We deliver in a canvas garment bag with care notes and a written commission record.

Cloth Library

Fourteen mills, 900 cloths, one private tour

We keep an in-house library of bunches from the principal English, Italian, and Scottish weavers. A consultation includes an unhurried walk-through with samples drawn for you to handle in daylight at the bench. We carry the seasonal collections from:

  • Holland & Sherry (Savile Row)
  • Dormeuil (Paris)
  • Loro Piana (Quarona)
  • Vitale Barberis Canonico
  • Drago (Biella)
  • W. Bill (Scottish tweeds)
  • Fox Brothers (West Country)
  • Harris Tweed (Outer Hebrides)
  • Cerruti 1881
  • Caccioppoli (Naples)
  • Thomas Mason (shirtings)
  • Albini (cottons & linens)
  • Carlo Riva (heirloom poplins)
  • House Cloth — our private bunch, milled in Yorkshire
Stack of folded suiting cloths in muted browns, charcoals and navy
In Their Words

From men who commissioned

Three voices from a body of regular clients we have had the privilege to dress. We do not solicit reviews; these were offered.

★★★★★

Edoardo cut my wedding three-piece in a charcoal sharkskin from Holland & Sherry. Four fittings, no compromise on a single curve, and the trousers held a sharp crease through a long ceremony and a longer reception. I have a closet full of brand-name suits that now feel like rented furniture next to it.

HW
Hudson Whitfield
Brooklyn, NY · Wedding 3-Piece
★★★★★

A black-tie commission for a diplomatic event in Washington, on a six-week deadline. The atelier accepted the timeline, drafted a peak-lapel dinner jacket in barathea, and delivered with two days to spare. The shoulder line is the cleanest I have worn — and I have worn a great many.

MI
Marcus Iyer
Manhattan, NY · Diplomatic-Event Tuxedo
★★★★★

I commission a rotating set of twelve dress shirts every spring — six poplin, four oxford, two end-on-end. Edoardo's shirtmaker drafts the collar exactly to the way I knot a tie, and the cuffs hit the watch crown without fuss. The pattern has been refined three times across four years; this is what it means to be properly fitted.

HT
Hiroshi Tanaka
Hoboken, NJ · Annual Shirt Commission
The Founder

Edoardo Marchetti

Naples (2007 – 2013) · Savile Row (2013 – 2016) · Brooklyn (2016 – present)

Edoardo was born in Salerno and apprenticed at fifteen in a third-generation suit house on Via Toledo, Naples, under the elder Cavaliere of the firm. He spent six years at the cutting bench learning the soft Neapolitan jacket — the unstructured "spalla camicia," the curved barchetta breast pocket, the inside lapel rolled past the second button.

In 2013 he took the cutter's bench at a Savile Row house specializing in country tailoring and soft-shouldered town suits, where he learned to draft the heavier English silhouette and the discipline of the four-fitting commission timeline. Three winters in London is, he says, "where you learn what an overcoat is actually for."

He moved to Brooklyn in late 2015 and opened True Body Age on North 7th Street the following spring, with one shirtmaker, one coatmaker, and a single trial commission booked for May. The atelier has grown carefully since — one additional coatmaker, a shared front-of-house apprentice — and remains intentionally small.

Edoardo is at the bench Tuesday through Saturday. Every commission's pattern carries his initials in the corner of the brown paper.

Edoardo Marchetti, founding tailor, working at the cutting bench in his Brooklyn atelier
Occasions

Where our commissions tend to land

A bespoke garment is built for a moment. Below are the moments our clients commission for most often — not as a menu, but as a sense of how we plan a timeline and a cloth around a date that matters.

1.
The Wedding

Three-piece, two-piece, or morning suit for the groom; coordinated commissions for the wedding party. Plan sixteen weeks out from the ceremony date for comfortable margin.

2.
Black Tie

Tuxedo with a shawl or peak lapel for galas, charity balls, opera openings, and the rarer formal dinner. Plan twelve weeks out from the event.

3.
The Boardroom

A pair of dark worsted suits, a discreet pinstripe, and a rotation of cotton dress shirts. The standard executive wardrobe foundation, refreshed every two to three years.

4.
The Court

Sober charcoal or midnight-navy two-pieces for attorneys, judges, and arbitrators. Cut conservatively, faced for ease of movement, and built to be worn often without showing it.

5.
The Sport Coat

Hopsack blazers, glen-check odd jackets, country tweeds. The most-worn piece in any well-kept wardrobe; we recommend at least one in navy and one in a brown earth tone.

6.
The Quiet Day

Soft-shouldered Neapolitan jackets in linen and linen-silk-wool blends, paired with custom trousers in cotton or fresco. The least formal of our regular work, and often the most-worn.

7.
The Diplomatic Posting

A coordinated commission of two to three suits, one tuxedo, an overcoat, and a dozen shirts — built to travel and to be worn under varied climates. Quoted as a single project.

8.
Restoration

A grandfather's suit, a great-uncle's blazer, an heirloom overcoat. We re-line, re-cut, and refit inherited garments where the construction allows it; the bench has handled more than fifty such commissions.

Folded grey trousers and pattern paper on a dark wooden tailor's bench
A Note on the Archive

Every commission is recorded twice

Every garment that leaves the bench is recorded twice: once on the paper pattern, which carries your name and the date of the cut; and once in the commission ledger, which records cloth bunch, lining, button choice, vent, lapel, pocket detail, and any in-progress note worth keeping. Both records live on file at the atelier under your name.

If you commission a second jacket five years from now and ask for "the same shoulder, but a touch more drape through the chest," we will draft from the original pattern and the ledger note will tell us exactly which version of "the same shoulder" you are remembering. The archive is the difference between bespoke as a one-off purchase and bespoke as a relationship.

Patterns are stored indefinitely. Ledger entries are retained for as long as the relationship continues, plus seven years. On a written request, we will photograph and ship the pattern to a tailor of your choosing in any city, anywhere.

Traveling Tailor

For the groomsman party, the boardroom, the family

For commissions of four or more — wedding parties, corporate principals, families ordering together — Edoardo travels to your suite, hotel, or office anywhere within the five boroughs and the greater tri-state area. We bring the cloth library in a pair of trunks, set up a temporary fitting bench, and run measurements on site. Travel beyond the metro region is quoted privately.

Inquire by Email
Reserve a Fitting

Begin the commission

Use the form to request a consultation. We reply within one business day with two to three appointment options. The first consultation runs ninety minutes; bring (or describe) the occasion, any existing garments you want to reference, and a sense of cloth weight and color you are drawn to.

If you prefer the telephone, the line answers Tuesday through Saturday, 11am to 7pm Eastern. If you prefer email, write to the atelier address below — Edoardo reads it personally each evening.

Consultation Request

Tell us about the commission. We reply within one business day.

By submitting, you agree to receive a follow-up reply from the atelier. Your details are not shared with any third party. See our Privacy Policy in the footer.

Thank you. Your consultation request has been received. Edoardo or the atelier coordinator will reply within one business day with two to three appointment options. If your timeline is urgent, please call (718) 555-0193 directly.

Atelier Address

True Body Age Tailoring, LLC
88 N 7th Street
Brooklyn, NY 11211
Williamsburg, second floor (buzzer 2A)

By Appointment

Tuesday — Saturday
11:00am to 7:00pm Eastern
Closed Sunday & Monday
Holidays observed; please call ahead.

Reach the Bench

Telephone: (718) 555-0193
Email: atelier@truebodyage.org
Privacy inquiries: privacy@truebodyage.org

Care & Keeping

A bespoke garment, cared for properly

Six small habits that will extend the life of any commissioned suit by years. We supply the same notes in print at delivery; here they are in advance.

Habit 01

Brush after every wear

A soft horsehair clothes brush in long, gentle strokes lifts dust and surface fiber before it embeds into the cloth. Two minutes on the shoulders, lapels, and trouser fronts. This single habit reduces dry-cleaning frequency by a factor of three or four.

Habit 02

Hang on a shaped wooden hanger

The hanger should match the shoulder span of the jacket within a centimeter and have a contour that follows the natural curve of the canvas. Wire and thin plastic hangers collapse the shoulder line; we supply a branded hanger with every jacket commission.

Habit 03

Rest the suit between wears

A wool jacket needs twenty-four to forty-eight hours of rest between wears so the fibers can release the moisture absorbed during a day of wear and recover their natural memory. Owning two or three rotating suits extends the life of each one substantially.

Habit 04

Press, do not dry-clean, by default

Most "clean me" instincts are actually "press me" instincts. A skilled hand-press at the atelier or by a trusted local presser refreshes the line of the garment without subjecting the cloth and canvas to the harsh solvents of conventional dry cleaning. We offer hand pressing at the atelier by the garment.

Habit 05

Empty the pockets at end of day

Phones, wallets, and keys left in pockets distort the cloth permanently over time. The pocket bags are sewn flat to the garment for a reason; what you carry is meant to be removed before the suit is hung. A small valet tray on the dresser is the practical solution.

Habit 06

Return to the bench annually

An annual press, button check, and lining inspection at the atelier — included free for any garment built here, and offered at a modest charge for garments we did not build — catches small wear before it becomes structural. Drop the garment in any Tuesday through Saturday; ready in seven to ten days.

Press & Recognition

A handful of kind notices

We do not pursue press, but we are grateful when it finds us. A short selection of independent mentions in the trade and lifestyle papers across the past three years.

"A quietly serious bespoke house on North 7th Street; the soft Neapolitan shoulder and the Brooklyn sensibility coexist on the rack as if they had always belonged together."

BL
Borough Lifestyle Quarterly
Profile, Spring 2024

"The kind of small atelier where the cutter actually cuts; you do not see this often outside of Mayfair, and rarely in New York at this price point."

TG
The Gentleman's Page
Bespoke Roundup, 2024

"True Body Age has become a de facto address for diplomatic and legal-sector black tie in the New York region; the work is conservative in the best sense."

CV
Cloth & Verve
Atelier Notebook, 2025
Frequently Asked

Questions before you commission

Ten to fourteen weeks for a two-piece suit, six to eight weeks for shirts (after the master pattern is drafted on the first commission), and two to three weeks for alterations. Group commissions and wedding parties are scheduled separately to land before the event date with margin to spare.
Bespoke means a paper pattern is drafted from scratch only for you, and the garment is cut from that pattern with at least two interim fittings. Made-to-measure starts from a stock block that is adjusted to your measurements; we use it for our shirts and select trouser commissions where the math is straightforward.
Yes, with one limit: we do not accept fused-construction garments (where the canvas is glued rather than stitched). They cannot be properly altered without unraveling the bond. We will assess the construction at the consultation and let you know honestly.
For returning clients with a pattern already on file, yes — we run cloth-selection calls over video and ship samples for handling. For first-time commissions, the initial measurement appointment must happen in person; tape-measure work is not negotiable from a screen.
A complete first commission — two-piece suit, three shirts, a pair of trousers — typically lands between $4,800 and $6,400 depending on cloth selection. Tuxedos and overcoats sit higher; alterations and individual shirts are far lower. We quote in writing before any cloth is cut.
A 50% deposit is taken at cloth selection (after pattern approval). The balance is due at delivery. Deposits are non-refundable once cloth is cut, because the cloth is committed to your commission specifically. Cancellation before cutting is fully refundable. See Terms of Service for the full schedule.
A 10–11 oz worsted in a four-season weave (high-twist Crispaire or Fresco) is the most-asked workhorse, with enough body to hold a shape through humidity and enough breathability to wear from April to October. For genuine winter weight, we move to 13–14 oz flannel or covert; for July weddings, we drop to 8 oz tropical wool or linen-silk-wool blends.
Yes. The pattern is a living document. We expect minor adjustments — chest, waist, sometimes shoulder — across the lifetime of a client relationship and re-baseline the pattern at each new commission. Larger shifts in build are accommodated by drafting a fresh pattern; the original is archived for reference.
Yes. Every client receives a written commission record at delivery: cloth bunch and reference, lining, button choice, lapel width, vent style, trouser detail, hem finish. The record sits with your pattern at the atelier, so a future shirt order or a re-cut blazer in matching cloth can be quoted without reinventing the brief.
A full-canvas jacket has a horsehair-and-wool interlining hand-stitched between the outer cloth and the lining, running from shoulder to hem. The canvas allows the jacket to drape, settle, and conform to the wearer's chest over time — which a fused (glued) jacket cannot do. Every True Body Age jacket is full-canvas; we do not build any other way.
Notes from the Bench

A few things worth knowing before you commission

Short editorial pieces written by Edoardo across the past year. Read at leisure; bring questions to the consultation.

Note No. 01

The shoulder line is the signature

If the shoulder is wrong, nothing further down the jacket recovers it. The shoulder declares the silhouette before the wearer speaks, before the lapel registers, before the sleeve pitch reads. We spend the largest single portion of cutting time on the shoulder — angle, slope, length, and the soft Neapolitan "spalla camicia" gather where requested.

We offer three shoulder languages at the atelier: a structured English shoulder with a clean roped sleevehead for gentlemen who want presence in the room; a Neapolitan natural shoulder with the sleevehead inset slightly inside the seam for those who prefer a softer line; and our quiet Brooklyn-house version, which sits deliberately between the two and has become the most-commissioned of the three.

Whichever shoulder you choose at the first consultation, expect to revisit it at the forward fitting. The pattern paper does not lie, but neither does the cloth on your actual frame; small corrections of two or three millimeters at the shoulder seam are routine and welcomed.

Tailor's hands hand-padding the shoulder of a half-finished jacket
Stack of folded white and blue dress shirts on a wooden surface
Note No. 02

Why the shirt is the under-tailored garment

Most gentlemen who own three or four bespoke suits are still wearing off-the-rack shirts. This is the most common gap in a wardrobe, and the most rewarding to close. A made-to-measure shirt corrects the four points that off-the-rack will not: the collar height around the neck, the shoulder-to-shoulder span, the cuff length to the watch crown, and the side seam under the arm.

For the price of two or three department-store shirts, you can have one made to your collar, your cuff, and the way you actually move. We recommend starting with three: a white poplin, a blue end-on-end, and a slim-stripe oxford. After a master pattern is on file, repeat orders can be telephoned in.

Our shirtmaker works on the second floor of the atelier, single-needle throughout, with split yokes when the cloth has direction, mother-of-pearl buttons fastened with a cross-stitch, and removable brass collar stays. Monogram on the placket or the hem is offered without surcharge.

House Principles

What we commit to, every commission

One Cutter, One Bench

Every commission is drafted, cut, and supervised by Edoardo from start to finish. The atelier does not subcontract the pattern, and we do not run more than the bench can carry well.

Cloth Without a Markup Trick

Cloth is quoted at the merchant's wholesale price plus a transparent handling figure. You may bring your own cloth at any time; we will simply waive the cloth line on the invoice.

No Fused Construction, Ever

Every jacket we build is full canvas, hand-padded at the lapel, with a hand-set sleeve and worked buttonholes. We will not sell a fused garment under our label, regardless of the price point.

The Twelve-Month Warranty

Faults in cut, stitching, or construction are repaired free for twelve months. We have repaired exactly four such faults in three years; we say so because the number is small, not large.

Patterns Stay With You

Your paper pattern lives at the atelier, indexed under your name. If you move cities, we will photograph and ship the pattern to a tailor of your choice on written request.

Honest Lead Times

If we cannot meet your date, we will say so at the consultation rather than at the third fitting. We would rather lose a commission than deliver a rushed garment under our name.